iconic album covers of the 60s

Though still rife with surreal imagery, the album tackles more love-centric themes with songs such as “Visions of Johanna,” “I Want You” and “Absolutely Sweet Marie.” This was also Dylan’s first album recording with Robbie Robertson of The Band, and with John Wesley Harding and Nashville Skyline to follow, Blonde on Blonde would signal Dylan’s transition into more laid-back, country-inspired material. This album is an experimental amalgam that is neither a live album or a studio album. But as years passed, they eventually admitted that it was a mistake they caught by the time the album cover had gone to print. Like the album’s iconic artwork, the group’s music offers a brilliant and spontaneous sonic hodgepodge, cohesively sewn together and perfectly soundtracking the ever-changing times of the 1960s. Led Zeppelin II is the pioneering quartet’s most hastily assembled work, written and recorded largely on tour (occasionally the result of extended in-concert improvisation), laid down on the cheap with breakneck speed at various studios in both Britain and the U.S. • Take the 70s album covers … The first time you hear it, you’re likely disgusted, grasping for dear life to Bill Harkleroad and Jeff Cotton’s wild slide-guitar lines, squeezing out every ounce of rhythm from John French’s cacophonous drum kit. "Seventies' Greatest Album Covers" was excerpted from the Nov. 14, 1991, edition of Rolling Stone magazine.. Not only do all of these albums have great covers, many are also important achievements in rock 'n roll music. —Patty Miranda, The Velvet Underground’s third effort is their first to feature Doug Yule. It’s more of a quiet, unpretentious gem, less slathered in sunscreen than previous releases, more soaked in its namesake. And the album never sounds like a patchwork, partly due to guitarist Jimmy Page’s groundbreaking production, and also due to the band’s well-rehearsed power and finesse. The album would be the last for Hendrix’s The Jimi Hendrix Experience before starting Band of Gypsys. The album’s crown jewel, however, is the classic “Son of a Preacher Man”—a landmark moment for blue-eyed soul. It also has a photo of an alarm clock at the back cover, which was taken by Gene Brownell. The album cover was painted by fantasy artist, Ken Kelly, who also painted Rainbow’s iconic Rising album cover. —Bonnie Stiernberg, Sounds of Silence is not, by any means, a victory of melody or lyricism. Lou Reed never wanted to share creative control with some moody German model, but Andy Warhol’s almighty lasso led to Nico’s inclusion regardless. It would be years before the band finally stepped out of their borderline-derivative blues-meets-rock fusion. Old-school soul feels good… and nobody does it like Marvin Gaye. It’s the audio definition of “cool.” —Beca Grimm, Jazz has a supernatural presence when crafted correctly. But today it’s considered a classic, and its entrancing cover art, designed by Peter Saville, adorns millions of T-shirts and posters worldwide. A decade later, the song has taken on prophetic new meaning; without it, it’s impossible to imagine Best Coast or Vivian Girls. On Led Zeppelin, however, the group found themselves on the right side of that fine line, creating a refreshing take on the genre they heavily drew from while finding themselves as a supergroup worth taking seriously. In addition to playing bass, Yule handles lead vocals on “Candy Says,” the album’s opening ode to Candy Darling (who would later famously become a subject of Lou Reed’s “Walk on the Wild Side”). The vocal quartet of Mary and Betty Weiss and Marge and Mary Anne Ganser imbued the lush, saccharine girl-group sound with a creeping darkness. —MT Richards, Leader of the Pack never performed as well on the charts as the singles it spawned. Floor Elevator was released. Though a far cry from his seminal Kind of Blue, it’s still just as transportive: two different means to the same end. For album covers of the 80s, Radio defines what hip-hop meant and from where it came. Despite whatever band turmoil was going on during the recording sessions, it’s arguably their most balanced record, with Lennon and McCartney each contributing songs in their distinct styles and George Harrison penning two of his finest tracks (“Here Comes The Sun” and the brilliant “Something”). 24 February 2020, 18:51. With this new studio-centered dedication, The Beach Boys’ 11th album features not only some of the most beautiful, impressive arrangement of the 1960s, but of all time. It still remains as a pop art masterwork, which has influenced many other designs, including The Yellow Album by The Simpsons, and Frank Zappa’s We’re Only in It for the Money. Best album covers of the 1980s. It’s all about basics here, but with unexpected textural twists: happy strumming guitar melodies and gorgeous harmonies juxtaposed with sad-bastard, forget-it-all lyrics. The Iconic Jazz Album Covers of Blue Note Records posted by Jason Kottke Dec 03, 2018 In part 2 of Earworm’s series on jazz, Estelle Caswell talks to producer Michael Cuscuna about the iconic album covers of Blue Note Records. Vinylradar has made a selection with the most famous and iconic album covers from the golden decade of the psychedelia. While it’s likely that the proximity of the two dates was coincidental, the end of the hippie era came right after The Rolling Stones released an album that spoke to the tumultuous times surrounding the present day. With this, George Kinney remained a loner figure in the music worlds in the following decades until the Golden Dawn reemerged in 2001 when this album, Power Plant, became an iconic psychedelic legend on the international stage. This newly reformatted edition of Classic Album Covers of the 60s features more than 200 of the very best—and, in some cases, entertainingly worst—covers that graced LPs throughout that groundbreaking decade. If you want to see how some of these album covers look like, then you’re in the right place. But after three or four listens, the insanity starts to click, and before you know it, your notions of pop music have been irrevocably altered, for better or worse (but probably better). On its release, it was received indifferently but has since become one of the most celebrated albums of the 60s. —Clint Alwahab, Listening to The Velvet Underground’s The Velvet Underground & Nico is like playing eyewitness to a highway robbery. Following up Kind of Blue, Spain was a myriad of soundscapes—building from the almost classical “Concierto de Aranjuez (Adagio)” to the incandescent passion of “Solea,” a woman’s recounting of Christ’s walk to crucifixion. Pepper’s Lonely Hearts Club Band (SMAS-2653) from 1967. This time it's back to the 60s – how many of these sleeves can you identify? One is the Polydor release that features a lightbulb with a group photo on its base, which was designed by Wolfgang Heilemann. The legend's sixth album hit shelves in 1973 and was a follow-up to his major breakthrough The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Backed by an all-star cast including producer/keyboardist Isaac Hayes and the recently departed Donald “Duck” Dunn on bass, Redding recorded bold, electric reworkings of “(I Can’t Get No) Satisfaction” and B.B. I think VU & Nico has to be the worst selling album with the most iconic cover. This time it's back to the 60s – how many of these sleeves can you identify? These are some of the most iconic album covers in the 60s. James can’t seem to find the kind of love she’s singing so beautifully about, and she’s “on a road that leads to nowhere,” but she sounds excellent along the way. The cover of this album features a kaleidoscopic photo of the band, which was captured by Vic Singh. The man’s specter loomed so large over the Civil Rights movement that it took a gunshot to the chest to prove he was mortal. If music as we know it today is our universe, the 1960s are the Big Bang. This is a typically cynical move from Warhol, but the joke was on anyone who removes the sticker. Cat record when it was received indifferently but has since become one those... Etta James was one of the 60s are wonderful album covers, album cover art has made a with. The release of this album sold more than one million copies worldwide 1961 full-length debut, at last.! 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